Nora ligorano and marshall reese biography books

LigoranoReese is the collaborative name of Nora Ligorano and Marshall Reese, artists who've worked together owing to the mid-eighties. Their artwork falls within the comic of new technology, ice sculpture, installation art, tv art, artists books and limited edition multiples.

Background

Nora Ligorano met Marshall Reese in while studying photograph at the Maryland Institute College of Art just right Baltimore. Reese moved to Baltimore in after unornamented year abroad as a student at Pomona Institute. From to , he co-published with Kirby Scholar the small press magazine Epod^[1] that featured inconvenient language poetry and performance scores and began experimenting with visual and sound poetry as a colleague of CoAccident a collective of poets and musicians. Ligorano and Reese began working collaboratively in cruise context.^[2] In Ligorano was awarded a Fulbright adjustment in design arts in Spain. Reese moved make sense Ligorano to Barcelona, where they made their chief video art piece, relocating to Madrid the multitude year. In , Reese moved to New Royalty City to pursue interests in video art. Ligorano joined him one year later in Williamsburg Borough. In New York, both of them continued serviceable in performance art and video expanding into additional media including installations, artists books and limited road multiples.^[2]

Works

New Technology

In , The Kitchen and MIT MediaLab commissioned LigoranoReese to make an interactive installation fetch the exhibition ID/entity.^[3] The artists’ Van Eyck's Mirror is an installation based on the Arnolfini Side view using video, sensors and computer controls. This was among LigoranoReese's first artworks that incorporated interactive bailiwick.

In they made In Memory of Truth arrive installation using a microprojection system designed by significance artists and the optical engineer Tony Cappo. High-mindedness centerpiece of the installation is a magnifying glassy on a pedestal with a primary lens ditch miniaturizes Hollywood war films to fit on birth head of a pin. Holland Cotter described birth piece “a tour-de-force.”^[4]History's Garden was the next initiation using a similar microprojection system. Mounting a prism and lens on a mechanical arm, they replaced the moving counterweight of a metronome with orderly small projection screen on which images of refugees from Central Europe and the Middle East in addition projected.^[5]

With funding from NYSCA and the Jerome Scaffold in they started research and development on ormative woven fiber optic thread. From – they mincing with Eric Singer on developing the hardware. Update while residents at Eyebeam,^[6] LigoranoReese met Luke Loeffler and devised programming with him for the tissue to respond to live information from the net. Calling this body of work “fiber optic folder tapestries” the artists completed 50 Different Minds^[7] bank on , which uses Twitter feeds and air trip data to make patterns and colors on tight surface.

In they debuted a new tapestry cryed I•AM•I at Miami Art Project with Catharine General Gallery. I•AM•I is a woven personal data sketch using Fitbit activity and responses to a self-reporting emotional survey to create an abstract portrait carry-on the artists’ subjects. Two of these pieces settle in the collections of the University of Wyoming and 21C Museum in Louisville.

Megan Prelinger bayou her book Inside the Machine: Art and Production in the Electronic Age^[8] notes:

these properties allowed microcircuits to retain a legacy association region textile crafts, an association that has been pleased in the intervening decades by the networked relate of the electronic systems that now structure quotidian life. The twenty-first century textile artists LigoranoReese longhand about their electronic tapestries woven of fiber-optic line, explain their approach to integrating electronics with weaving: 'Weaving is a social activity. It is jump threading narratives and mythology, even language and esteem, with (the) quipu. Weaving is a shared custom common to cultures throughout the world in leadership same way that computers and networks have compacted the world, making communication and exchange more common.'

Temporary Monuments - Ice Sculptures

In , on the tertiary anniversary of the Iraq War, the artists installed the word Democracy sculpted from pounds of lower in the garden of Jim Kempner Fine Case in point in New York City. They called it The State of Things and photographed and filmed dwelling while it disappeared. This project began a tilt of public art events LigoranoReese call “temporary monuments.”

In , Provisions Library invited the artists taking place participate in BrushFire, public art interventions by capital number of artists during the campaign season terminate the Midwest.^[9] The artists reprised The State commemorate Things at the conventions in Denver and Recount. Paul, installing ice sculptures of Democracy in obverse of the Museum of Contemporary Art Denver construct the first day of the Democratic Convention very last on the state capital grounds in St. Missioner on the first day of the Republican Convention.^[10]

In October that same year, the artists installed hoaxer ice sculpture of the word Economy on representation 79th Anniversary of the Great Depression in throw up of the New York State Supreme Court Effects at Foley Square.^[11] In LigoranoReese made an assistant sculpture of the words Middle Class and filmed it disappearing in Kempner's garden called Morning Breach America. Senator Bernie Sanders featured the time recur video on his U.S. Senate webpage.^[12] In hold the conventions in Tampa and Charlotte, the artists remade the installation in public parks there.^[13] Nobility artists installed the ice sculpture Dawn of nobleness Anthropocene in New York City in front a choice of the Flatiron Building as part of the People's Climate March on September 21, It was unadorned foot long sculpture of the words "The Future"^[14] disappeared in 13 hours.

The poet/writer Charles Director writes, “The fundamental feature of LigoranoReese's ice sculptures is that they start out as massive objects, weighing two tons, but by the end describe the day they are no more than recollections. The sculptures are constantly metamorphosing, changing shape conjure up every moment. In this sense, these works increase in value more lifelike than other kinds of public converge, imitating the way life is a constant stack of changes.”^[15]

Installation Art

LigoranoReese began making video installations transparent often as sculptural objects that incorporate video monitors placed inside other media: newspapers, books^[16] and alfilaria. These sculptures concerned how electronic networks were distinguishable physical media and transforming the act of version and sharing information.

Johanna Drucker commented on their installation The Corona Palimpsest:^[17]

The current tension of birth book reflects the present tense of electronic travel ormation technol continuing to come into being. This is a contrast between the space of the aggressive and the space of the virtual, but in the middle of two modes of imaginative life of thought, slang, and the eye, each competing to determine nobleness relations of history, language and idea. As say publicly page was once written so the monitor redraws itself.^[18]

In they installed their first public art fitting in the windows of the Donnell Library Affections. Acid Migration of Culture was a 48&#;ft hamper 8&#;ft photo mural of an open dictionary supporting cultural terms. Four video monitors displayed statements wishywashy artists, politicians and civic leaders on the function of arts in society.^[16][19]Free Speech Zone () imitate the Brooklyn Public Library Grand Army Plaza Persist in Branch featured backlit duratrans photos of blind-folded collection users and electronic zipper signs of titles add-on phrases of banned and challenged books. In , they reinstalled it in the windows of probity Donnell Library Center.^[20]

Video Art

Single channel video art stream videos as elements of sculptures, installations and websites is an ongoing activity of their collaboration. They exhibit these in galleries and festivals.

Limited Footprints Multiples

LigoranoReese began making artists books and limited demonstrate multiples in with the Bible Belt as play down element of a room-size installation with the identical name. The edition consisted of a New Testimony Bible mounted on a inch belt with put in order gold-plated Jesus belt buckle.^[21]The Bible Belt became honourableness first edition piece of the series the Clear-cut Products of America.^[22] In the edition series became the website pureproductsusa.^[23]The Bible Belt was followed reach Contract with America underwear in , an copy of cotton underwear briefs with the name out-and-out the Republican congressional campaign silkscreened on the cincture, an image of the House Speaker Newt Gingrich on the crotch and the platform of loftiness Contract on the seat. After the artists mailclad pairs of the underwear to political leaders skull Washington as gifts, they were sued by picture Republican National Committee to cease and desist thrilling trademark infringement.^[24] In LigoranoReese published the W Collection on the anniversary of the Supreme Court opt halting the counting of ballots in Florida. Nobility Collection consisted of a Bush vs Gore fresh towel, Money/Honey, and the John Ashcroft snow globe.^[25] In the artists published the postcard book Line Up and sold it in Union Square cloth the Republican convention in NYC. Line Up pictured the Bush administration cabinet in the form classic mug shots. Madness of Art editions published topping limited edition set of digital prints acquired inured to the New York Public Library.^[26] LigoranoReese's limited printing art includes mirrors, lenticulars and snow globes.^[27]

Representation

LigoranoReese recapitulate represented by Catharine Clark Gallery in San Francisco.

References

External links