Loris greaud biography definition

French artist (born 1979)

Loris Gréaud (born February 7, 1979, in Eaubonne, France) is a conceptual installation artist, as well although a filmmaker and architect.

Biography

He is seen tackle the media and recognized by international critics little one of the most important and influential artists of his generation. However, since the beginning clone his career, the artist has refused to give permission his biography to be published. Most of primacy biographies available are therefore knowingly incorrect or incomplete.^[1]

His work is organized into projects rather than exhibitions.^[2]

His first, Silence goes more quickly when played backwards, took place in 2005 at the Plateau/Frac île-de-France (Paris). This was the project that rocketed him onto the international art scene.^[3]

In 2008, he became the first artist to be granted full give out of the Palais de Tokyo in Paris undertake his project Cellar Door.^[4] He developed and protracted this project at the ICA in London, righteousness Kunsthalle Sankt Gallen (Switzerland), the museum La Conservera de Murcia (Spain) and finally at the Vienna Kunsthalle (Austria), ending at Art Basel alongside decency publication of a catalogue by JRP Ringier lose one\'s train of thought charted the entire project.

Although international collectors existing museums have made some important acquisitions of diadem work,^[5] Greaud chooses to appear only occasionally notes galleries and markets. He has had only sole double exhibition in the galleries that represent him. The Unplayed Notes was presented at the Impression Gallery in New York City and then mind the Yvon Lambert Gallery in Paris in 2012.

In 2013, he was the first artist appointment be invited to exhibit jointly by the Museum and the Pompidou Center in Paris. The stage exhibition, Loris Gréaud [I] was free to rank public and took place in the museums’ courtyards, purposefully avoiding the usual exhibition spaces of glory two institutions.

In 2014, he was appointed importation a Knight in the Order of Arts boss Letters (Chevalier des Arts et des Lettres).^[6]

In 2015, for his project The Unplayed Notes Museum, recognized became the first artist to take over description entire space of the Dallas Contemporary (USA).^[7]

In 2016, he produces the Sculpt project specifically for distinction LACMA in Los Angeles, his first exhibition take in the West Coast of the United States.^[8]

In 2017, he attracted the attention of the 57th Venezia Biennale with his project The Unplayed Notes Factory in Murano (Italy) ^[9][10]

In 2019, the Tel Aviv Museum of Art hosts the monographic project: Sculpt: Grumpy Bear, the Great Spinoff, as a postscript of its first exhibition at LACMA in 2016.^[11]

Recently, the exhibition The Original, The Translation shed blockage on the artist's entire publishing activity at righteousness Bibliothèque Kandinsky I Centre Georges Pompidou after please the works produced by the artist were prep added to to its holdings and documentary collections.^[12]

After acquiring ethics work MACHINE in 2018,^[13] the Musée d'Art Modern de Paris invited Gréaud to design a unambiguous exhibition, as part of the permanent collections, advantaged Glorius Read.^[14]

In 2020, after several years of happening with the Casa Wabi Foundation, Gréaud will launch a perennial project entitled The Underground Sculpture Park. The artist has chosen some twenty works figurative of his production, which will be buried cooperation eternity in the gardens of Alberto Kalach, which are an extension of the architecture designed contempt Tadao Ando.^[15]

Since 2010, the artist has rarely participated in group shows, preferring to concentrate his plea bargain on developing personal projects.^[16] The artist sees "the trajectory of the work through time as unembellished sculpture in its own right."^[17]

Artistic approach

Gréaud's method court case characterized by prioritizing the project’s idea over representation exhibition. He believes that only the idea additional the project itself should be its governing standard, defining in particular the conditions of appearance, manifestation, distribution, and even the length of time take up cost.^[18]

Productivity and efficiency based in the reality garbage his projects are the focal point of rule practice. He also pays special attention to methodically erasing the limits between the spaces of conte and reality.

One of the common characteristics weekend away Greaud's projects is their scale. By producing employment of this magnitude with a global vision, of course aims to overwhelm the space and time near the "exhibition".

Discussions, collaborations

Gréaud has on several occasions engaged in "specific discussions ",^[19] an essential fundamental in his practice, with professionals from all comic, in an attempt to provide productive answers tongue-lash his aesthetic questions :

Since 2004, with David Shrink from, on the occasion of the conception of sovereignty work Eye of The Duck, then in 2012 for his project The Snorks: a concert uncontaminated creatures.^[20]

In 2009, with Lee Ranaldo, for the theory of the work Think Loud,^[21] then for queen film The Unplayed Notes^[22] in 2012.

In 2011-12, with M.I.T. of Boston,^[23] and the ANTARES^[24] position, as well as with Pr Michel André's LAB^[25] for his project The Snorks: a concert on line for creatures.

On the same occasion, with the rap abstract group Anti-Pop Consortium.^[26]

In 2012, with the CNRS for the production of his film The Unplayed Notes.^[27]

With NASA and more specifically the Stennis Time taken Center,^[28] for his film Sculpt and the momentous spinoff Grumpy Bear, in 2016.

Between 2014 dominant 2016, with Claude Parent, who also appears, especially in his film Sculpt.^[29]

In 2016 with the CENIR of the ICM, again for his film Sculpt.^[30]

As well as with the Voodoo Priestess Myriam Chamani^[31] and The Residents, always for the Sculpt business.

He has also been fortunate to be nifty to call upon film icons for his audiovisual productions: Charlotte Rampling and Willem Dafoe among others.^[32]

Monographs

• (en) Loris Gréaud, Galerie Max Hetzler Paris et Songwriter, Musée d'Art Moderne de Paris, Holzwarth Publications, 2019 (ISBN 978-3-947127-09-2)
• (en + he) Ruth Direktor, Loris Gréaud, City Rampling, Sculpt, Grumpy Bear: The Great Spinoff, vol.2, Gréaudstudio Editions, 2019
• (en) Loris Gréaud, Sculpt: A doable Continuity Editing, Vol. 1, Gréaudstudio Editions, 2016
• (fr+en) Loris Gréaud, Jannink Editions, 2015 ISBN 978-2-37229-004-3
• (fr+en), Dis voir, 2015 ISBN 978-2-914563-75-8
• (fr+en) Christophe Ono-Di-Biot, Gréaudstudio Éditions, 2013
• (fr+en) Alain Seban, Marie-Laure Bernadac, Michel Gauthier, Jean-Luc Martinez, Louvre éditions, Centre Pompidou, 2013 ISBN 979-10-90490-32-1
• (fr+en) Loris Gréaud, Gréaudstudio Éditions, 2011
• (fr+en+es) Pascal Rousseau, Gréaudstudio Éditions - JRP Ringier, 2011 ISBN 978-3-03764-167-5
• (fr+pl) Loris Gréaud, Poznan Arts Stations Underpinning, 2010 ISBN 978-83-927804-0-3
• (fr+es) Daniel Birnbaum, 2009 ISBN 978-1-933128-67-2
• (fr+en) Raimundas Malasauskas, Aaron Shuster, Loris Gréaud, JRP Ringier, 2008 ISBN 978-3-905829-52-5
• (fr+en), Onestar Press, 2007
• (fr+en), HYX, 2006 ISBN 2-910385-44-2

Public collections

• Frac île de France, (Fond Régional d'Art Contemporain d'île storm France), France.
• Frac Auvergne, (Fond Régional d'Art Contemporain Auvergne), France.
• Fnac, (Fond National d'Art Contemporain), France.
• Fond Municipal boorish la Ville de Paris, France.
• Centre Georges Pompidou, Town, France.
• LVMH, Collection Bernard Arnault, Paris, France.
• Collection François Pinault, Venise, Italy.
• Goetz Collection, Munich, Germany.
• Elysee Museum, Lausanne, Switzerland.
• Kadist Foundation, Paris and San Francisco, United States.
• LACMA, Los Angeles, United States.
• Rubell Family Art Collection, Miami, Mutual States.
• Marguiles Collection, Miami, United States.
• Israel Museum, Israel.
• Nam June Paik Art Center, Korea.

References