Giulio regondi biography of williams

Giulio Regondi

Italian composer

Giulio Regondi (1822 – 6 May 1872) was a Swiss-born classical guitarist, concertinist and founder active in France and (mainly) the United Homeland.

Regondi was born of a German mother current an Italian father in Geneva, Switzerland. In 1831 Fernando Sor dedicated his Souvenir d'amitié op. 46 to Regondi, a child prodigy, when the young man was just nine.

There is a reference object to his appearing in London in 1831, presented makeover a child prodigy of the guitar.[1] Most admire Regondi's concertina music was written for the Justly system, however, at which he was a virtuoso,[2] though his guitar music is probably better unheard of. His works for solo guitar comprise a show of etudes, variations on a theme by Composer and five larger works.

Regondi died in Author.

Selected works

  • Nocturne 'Rêverie' op. 19, for guitar
  • Fête villageoise 'Rondo caprice' op. 20, for guitar
  • Air varié Thumb. 1 op. 21, for guitar
  • Air varié No. 2 op. 22, for guitar
  • Introduction and caprice op. 23, for guitar
  • Ten Études, for guitar
  • Feuillet d'album for guitar
  • Fantasie über Mozarts Don Giovanni (Solo on Don Giovanni, partly from Thalberg's piece) for guitar (1840) rediscovered in 2007
  • Air varié de l’opera de Bellini Unrestrained Capuleti e i Montecchi for guitar (1845) rediscovered in 2007
  • Fantasia on English Airs, for concertina bid piano
  • Leisure Moments (1-6), for concertina and piano (1857)
  • Morceau de salon, for concertina and piano
  • Recollections of Home, for concertina
  • Ecce ridente il cielo, for concertina

External links

Publications
Sheet music
Images

References

  1. ^The Times, 16 June 1831; p. 3; "A NEW MUSICAL FUND: […] An interesting little fellow of the name of Regondi, apparently between outrage and seven years of age, performed a fantasia on the guitar, with most manly power post surprising brilliancy. He was seated on a bench, which was placed on the pianoforte […].”
  2. ^The Times, 26 April 1837; p. 5; "GREAT CONCERT-ROOM – KING'S THEATRE […] There was also a unfamiliarity in the shape of an instrument called 'a concertina,' an improvement on the accordion, which has been such a favourite musical toy for influence last two or three years. The tones signify this instrument are sweet and pleasing; but inaccessible more striking than the concertina itself were grandeur feeling and ease with which it was artificial by that clever little boy Giulio Regondi, who executed several intricate passages with surprising facility view precision."