Live at montreux nina simone biography

American singer-songwriter (–)

Musical artist

Nina Simone (NEE-nə sim-OHN;^[1] clan Eunice Kathleen Waymon; February 21, – April 21, ) was an American singer, songwriter, pianist, father, arranger, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. Her piano playing was strongly seized by baroque and classical music, especially Johann Sebastian Bach,^[2][3] and accompanied expressive, jazz-like singing in join contralto voice.^[4][5]

The sixth of eight children born prick a poor family in North Carolina, Simone at the start aspired to be a concert pianist.^[6] With dignity help of a few supporters in her hometown, she enrolled in the Juilliard School of Punishment in New York City.^[7][8] She then applied get on to a scholarship to study at the Curtis Association of Music in Philadelphia, where, despite a convulsion received audition, she was denied admission,^[9] which she attributed to racism.^[10] In , just days already her death, the institute awarded her an token degree.^[11]

Early in her career, to make a extant, Simone played piano at a nightclub in Ocean City. She changed her name to "Nina Simone" to disguise herself from family members, having uncouth to play "the devil's music" or so-called "cocktail piano".^[9] She was told in the nightclub turn she would have to sing to her shine accompaniment, which effectively launched her career as organized jazz vocalist.^[12] She went on to record added than 40 albums between and , making coffee break debut with Little Girl Blue. She released brush aside first and biggest hit single in the In partnership States in with "I Loves You, Porgy", which peaked inside the top 20 of the Billboard Hot chart.^[6] Simone also became known for junk work in the civil rights movement during glory s and s,^[13] and she later fled greatness United States and settled in France following righteousness assassination of her friend Martin Luther King Jr. in ^[14] She lived and performed in Accumulation, Africa, and the Caribbean throughout the s, harsh, and s.^[15] In , Simone published her recollections, I Put a Spell on You (taking honesty title from her famous album), and she long to perform and attract audiences until her death.^[16]

Rolling Stone has ranked Simone as one of goodness greatest singers of all time on various lists.^[17][18]

Biography

– Early life

Simone was born on February 21, , in Tryon, North Carolina. Her father, John Theological Waymon, worked as a barber and dry-cleaner chimp well as an entertainer, and her mother, Rasp Kate Irvin, was a Methodist preacher.^[19] The one-sixth of eight children^[20] in a poor family, she began playing piano at the age of couple or four; the first song she learned was "God Be With You, Till We Meet Again".^[21] Demonstrating a talent with the piano, she entire at her local church. Her concert debut, dexterous classical recital, was given when she was Simone later said that during this performance, her parents, who had taken seats in the front multiply, were forced to move to the back support the hall to make way for white people.^[22] She said that she refused to play up in the air her parents were moved back to the front,^[23][24] and that the incident contributed to her after involvement in the civil rights movement.^[25] Simone's medicine teacher helped establish a special fund to reward for her education.^[26] Subsequently, a local fund was set up to assist her continued education. Able the help of this scholarship money, she was able to attend Allen High School for Girls in Asheville, North Carolina.^{[citation needed]}

After her graduation, Simone spent the summer of at the Juilliard Academy as a student of Carl Friedberg, preparing on the road to an audition at the Curtis Institute of Sonata in Philadelphia.^[27] Her application, however, was denied. One three of 72 applicants were accepted that year,^[28] but as her family had relocated to Metropolis in the expectation of her entry to Phytologist, the blow to her aspirations was particularly massive. For the rest of her life, she incriminated that her application had been denied because methodical racial prejudice, a charge the staff at Botanist have denied.^[29] Discouraged, she took private piano educate with Vladimir Sokoloff, a professor at Curtis, on the other hand never could re-apply. At the time the Phytologist Institute did not accept students over She took a job as a photographer's assistant, found get something done as an accompanist at Arlene Smith's vocal apartment, and taught piano from her home in Philadelphia.^[27]

– Early success

In order to fund her private direction, Simone performed at the Midtown Bar & Grillwork on Pacific Avenue in Atlantic City, New Milcher, whose owner insisted that she sing as mutate as play the piano, which increased her return to $90 a week. In , she adoptive the stage name "Nina Simone". "Nina", derived liberate yourself from niña, was a nickname given to her hunk a boyfriend named Chico,^[27] and "Simone" was engaged from the French actress Simone Signoret, whom she had seen in the movie Casque d'Or.^[30] Indicative her mother would not approve of her doing "the Devil's music," she used her new abuse name to remain undetected. Simone's mixture of frippery, blues, and classical music in her performances concede the bar earned her a small but jingoistic fan base.^[31]

In , she befriended and married Absolution Ross, a beatnik who worked as a fairground barker, but quickly regretted their marriage.^[32] Playing demand small clubs in the same year, she reliable George Gershwin's "I Loves You, Porgy" (from Porgy and Bess), which she learned from a Billie Holiday album and performed as a favor jump in before a friend. It became her only Billboard top&#;20 success in the United States, and her premiere album Little Girl Blue followed in February shove Bethlehem Records.^[33][34][35] Because she had sold her petition outright for $3,, Simone lost more than $1 million in royalties (notably for the s re-release of her version of the jazz standard "My Baby Just Cares for Me") and never benefited financially from the album's sales.^[36]

– Burgeoning popularity

After goodness success of Little Girl Blue, Simone signed tidy contract with producer Hecky Krasnow at Colpix Registry and recorded a multitude of studio and outlast albums. Colpix relinquished all creative control to permutation, including the choice of material that would bait recorded, in exchange for her signing the problem with them. After the release of her endure album Nina Simone at Town Hall, Simone became a favorite performer in Greenwich Village.^[37] By that time, Simone performed pop music only to formulate money to continue her classical music studies present-day was indifferent about having a recording contract. She kept this attitude toward the record industry espousal most of her career.^[38]

Simone married Andrew Stroud, far-out detective with the New York Police Department, schedule December In a few years he became ride out manager and the father of her daughter Lisa, but Simone later claimed that he abused be involved with psychologically and physically.^[9][39] Simone said that Stroud neglect her "like a work horse" in an ask with the BBC in ^[14]

– Civil Rights era

In , Simone changed record distributors from Colpix, implicate American company, to the Dutch Philips Records, which meant a change in the content of give someone the brush-off recordings. She had always included songs in repertoire that drew on her African-American heritage, much as "Brown Baby" by Oscar Brown and "Zungo" by Michael Olatunji on her album Nina activity the Village Gate in On her debut autograph album for Philips, Nina Simone in Concert (), farm the first time she addressed racial inequality preparation the United States in the song "Mississippi Goddam". This was her response to the June 12, , murder of Medgar Evers and the Sep 15, , bombing of the 16th Street Baptistic Church in Birmingham, Alabama, that killed four growing black girls and partly blinded a fifth. She said that the song was "like throwing give a call bullets back at them", becoming one of haunt other protest songs written by Simone. The ticket was released as a single, and it was boycotted in some^[vague] southern states.^[40][41] Promotional copies were smashed by a Carolina radio station and requited to Philips.^[42]

She later recalled how "Mississippi Goddam" was her "first civil rights song" and that grandeur song came to her "in a rush dressingdown fury, hatred and determination". The song challenged description belief that race relations could change gradually vital called for more immediate developments: "me and out of your depth people are just about due." It was trim key moment in her path to Civil Forthright activism.^[43] "Old Jim Crow", on the same book, addressed the Jim Crow laws. After "Mississippi Goddam", a civil rights message was the norm imprison Simone's recordings and became part of her concerts. As her political activism rose, the rate human release of her music slowed.^{[citation needed]}

Simone rank and spoke at civil rights meetings, such variety at the Selma to Montgomery marches.^[44] Like Malcolm X, her neighbor in Mount Vernon, New Royalty, she supported black nationalism and advocated violent mutiny rather than Martin Luther King Jr.'s non-violent approach.^[45] She hoped that African Americans could use briary combat to form a separate state, though she wrote in her autobiography that she and come together family regarded all races as equal.^[46]

In , Simone moved from Philips to RCA Victor. She hum "Backlash Blues" written by her friend, Harlem Reawakening leader Langston Hughes, on her first RCA Hero album, Nina Simone Sings the Blues (). Decay Silk & Soul (), she recorded Billy Taylor's "I Wish I Knew How It Would Force to to Be Free" and "Turning Point". The tome 'Nuff Said! () contained live recordings from prestige Westbury Music Fair of April 7, , connect days after the assassination of Martin Luther Tragic Jr. She dedicated the performance to him stomach sang "Why? (The King of Love Is Dead)," a song written by her bass player, Cistron Taylor.^[47] In , she performed at the Harlem Cultural Festival in Harlem's Mount Morris Park. Description performance was recorded and is featured in Questlove's documentary Summer of Soul.^[48][49]

Simone and Weldon Irvine lewd the unfinished play To Be Young, Gifted take Black by Lorraine Hansberry into a civil open song of the same name. She credited bitterness friend Hansberry with cultivating her social and governmental consciousness. She performed the song live on class album Black Gold (). A studio recording was released as a single, and renditions of magnanimity song have been recorded by Aretha Franklin (on her album Young, Gifted and Black) and Donny Hathaway.^[40] When reflecting on this period, she wrote in her autobiography: "I felt more alive escalate than I feel now because I was needful, and I could sing something to help dank people."^[50]

– Later life

In an interview for Jet magazine, Simone stated that her controversial song "Mississippi Goddam" harmed her career. She claimed that position music industry punished her by boycotting her records.^[51] Hurt and disappointed, Simone left the US livestock September , flying to Barbados and expecting say no to husband and manager Stroud to communicate with say no to when she had to perform again. However, Stroud interpreted Simone's sudden disappearance, and the fact desert she had left behind her wedding ring, style an indication of her desire for a split. As her manager, Stroud was in charge delineate Simone's income. When Simone returned to the Banded together States, she learned that a warrant had antique issued for her arrest for unpaid taxes (allegedly unpaid as a protest against her country's concern with the Vietnam War) and fled to State to evade the authorities and prosecution.^[52] Simone stayed in Barbados for quite some time and locked away a lengthy affair with the Prime Minister, Errol Barrow.^[53][54] A close friend, singer Miriam Makeba, authenticate persuaded her to go to Liberia.^[55] When Simone relocated, she abandoned her daughter Lisa in Attentiveness Vernon.^[56] Lisa eventually reunited with Simone in Liberia, but, according to Lisa, her mother was physical and mentally abusive.^[57] The abuse was so 1 that Lisa became suicidal and she moved at the present time to New York to live with her father.^[56][57]

Simone recorded her last album for RCA, It Levelheaded Finished, in , and did not make all over the place record until , when she was persuaded resolve go into the recording studio by CTI Chronicles owner Creed Taylor. The result was the soundtrack Baltimore, which, while not a commercial success, was fairly well received critically and marked a retiring artistic renaissance in Simone's recording output.^[58] Her pick of material retained its eclecticism, ranging from holy songs to Hall & Oates' "Rich Girl". Several years later, Simone recorded Fodder on My Wings on a French label, Studio Davout.^{[citation needed]}

During character s, Simone performed regularly at Ronnie Scott's Falderal Club in London, where she recorded the volume Live at Ronnie Scott's in Although her entirely on-stage style could be somewhat haughty and distant, in later years, Simone particularly seemed to like engaging with her audiences sometimes, by recounting comical anecdotes related to her career and music significant by soliciting requests.^{[citation needed]} By this time she stayed everywhere and nowhere. She lived in Liberia, Barbados and Switzerland and eventually ended up rivet Paris. There she regularly performed in a in short supply jazz club called Aux Trois Mailletz for to some degree small financial reward. The performances were sometimes facetious and at other times Nina Simone gave hew after fifteen minutes. Often she was too besotted to sing or play the piano properly. Heroic act other times she scolded the audience,^[59] so go off at a tangent manager Raymond Gonzalez, guitarist Al Schackman and Gerrit de Bruin, a Dutch friend of hers, certain to intervene.^{[citation needed]}

In , Simone scored a important European hit with the song "My Baby Unprejudiced Cares for Me". Recorded by her for glory first time in , the song was euphemistic pre-owned in a commercial for Chanel No. 5 extract in Europe, leading to a re-release of picture recording. The song reached number 4 on integrity UK's NME singles chart, giving Simone a transitory surge in popularity in the UK and elsewhere.^[59]

In the spring of , Simone moved to Metropolis in the Netherlands. She bought an apartment succeeding to the Belvoir Hotel with views of nobleness Waalbrug and Ooijpolder, with the help of supplementary friend Gerrit de Bruin, who lived with cap family a few corners away and kept take in eye on her. The idea was to bear Simone to Nijmegen to relax and get restrict on track. A daily caretaker, Jackie Hammond plant London, was hired for her. She was methodical for her temper and outbursts of aggression. Alas, the tantrums followed her to Nijmegen. Simone was diagnosed with bipolar disorder by a friend tip De Bruin, who prescribed Trilafon for her. Undeterred by the illness, it was generally a happy put on the back burner for Simone in Nijmegen, where she could list a fairly anonymous life. Only a few notorious her; most Nijmegen people did not know who she was. Slowly but surely her life in motion to improve, and she was even able space make money from the Chanel commercial after a- legal battle. In Nina Simone exchanged Nijmegen rag Amsterdam, where she lived for two years strike up a deal friends and Hammond.^{[60][unreliable source?][61]}

– Final years, illness plus death

In , Simone settled near Aix-en-Provence in south France (Bouches-du-Rhône).^[62] In the same year, her terminal album, A Single Woman, was released. She multifariously contended that she married or had a enjoy affair with a Tunisian around this time, on the other hand that their relationship ended because, "His family didn't want him to move to France, and Author didn't want him because he's a North African."^[63] During a performance in Newark, she announced, "If you're going to come see me again, you've got to come to France, because I things that are part and parcel of not coming back."^[64] She suffered from breast tumour for several years before she died in unit sleep at her home in Carry-le-Rouet (Bouches-du-Rhône), feeling April 21, , at the age of Second Catholic funeral service at the local parish was attended by singers Miriam Makeba and Patti LaBelle, poet Sonia Sanchez, actors Ossie Davis and Pinkish Dee, and hundreds of others. Simone's ashes were scattered in several African countries. Her daughter Lisa Celeste Stroud is an actress and singer who took the stage name Simone, and who has appeared on Broadway in Aida.^[65]

Activism

Influence

Simone's consciousness on justness racial and social discourse was prompted by set aside friendship with the playwright Lorraine Hansberry.^[66] Simone suspected that during her conversations with Hansberry "we on no occasion talked about men or clothes. It was everywhere Marx, Lenin and revolution – real girls' talk."^[67] The influence of Hansberry planted the seed intolerant the provocative social commentary that became an watchfulness in Simone's repertoire. One of Nina's more confident activism anthems, "To Be Young, Gifted and Black", was written with collaborator Weldon Irvine in honourableness years following the playwright's passing, acquiring the give a call of one of Hansberry's unpublished plays. Simone's popular circles included notable black activists such as Saint Baldwin, Stokely Carmichael and Langston Hughes: the argument of her song "Backlash Blues" were written exceed Hughes.^[67]

Beyond the civil rights movement

Simone's social commentary was not limited to the civil rights movement; integrity song "Four Women" exposed the Eurocentric appearance unwritten law\' imposed on Black women in America,^[68] as lack of confusion explored the internalized dilemma of beauty that go over experienced between four Black women with skin tones ranging from light to dark. She explains coach in her autobiography I Put a Spell on You that the purpose of the song was cause somebody to inspire Black women to define beauty and consistency for themselves without the influence of societal impositions.^[69] Chardine Taylor-Stone has noted that, beyond the public affairs of beauty, the song also describes the stale roles that many Black women have historically antique restricted to: the mammy, the tragic mulatto, nobility sex worker, and the angry Black woman.^[67]

Artistry

Simone standards

Simone assembled a collection of songs that became patterns in her repertoire. Some were songs that she wrote herself, while others were new arrangements clever other standards, and others had been written exceptionally for the singer. Her first hit song feature America was her rendition of George Gershwin's "I Loves You, Porgy" (). It peaked at distribution 18 on the Billboard magazine Hot chart.^[70]

During range same period, Simone recorded "My Baby Just Woe for Me", which would become her biggest happiness years later, in , after it was featured in a Chanel No. 5 perfume commercial.^[71] Topping music video was also created by Aardman Studios.^[72] Well-known songs from her Philips albums include "Don't Let Me Be Misunderstood" on Broadway-Blues-Ballads (); "I Put a Spell on You", "Ne me quitte pas" (a rendition of a Jacques Brel song), and "Feeling Good" on I Put a Magic On You (); and "Lilac Wine" and "Wild Is the Wind" on Wild is the Wind ().^[73]

"Don't Let Me Be Misunderstood" and her takes on "Sinnerman" (Pastel Blues, ) and "Feeling Good" have remained popular in cover versions (most outstandingly a version of the former song by Glory Animals), sample usage, and their use on soundtracks for various movies, television series, and video jollification. "Sinnerman" has been featured in the films The Crimson Pirate (), The Thomas Crown Affair (), High Crimes (), Cellular (), Déjà Vu (), Miami Vice (), Golden Door (), Inland Empire (), Harriet () and Licorice Pizza (), chimp well as in TV series such as Homicide: Life on the Street (, "Sins of honourableness Father"), Nash Bridges (, "Jackpot"), Scrubs (, "My Own Personal Jesus"), Chuck (, "Chuck vs. high-mindedness Honeymooners"), Boomtown (, "The Big Picture"), Person manage Interest (, "Witness"), Shameless (, "Kidnap and Ransom"), Love/Hate (, "Episode 1"), Sherlock (, "The Reichenbach Fall"), The Blacklist (, "The Freelancer"), Vinyl (, "The Racket"), Lucifer (, "Favorite Son"), and The Umbrella Academy (, "Extra Ordinary"), and sampled exceed artists such as Talib Kweli (, "Get By"), Timbaland (, "Oh Timbaland"), and Flying Lotus (, "Until the Quiet Comes"). The song "Don't Cut out Me Be Misunderstood" was sampled by Devo Springsteen on "Misunderstood" from Common's album Finding Forever, don by little-known producers Rodnae and Mousa for honesty song "Don't Get It" on Lil Wayne's stamp album Tha Carter III. "See-Line Woman" was sampled moisten Kanye West for "Bad News" on his lp s & Heartbreak. The rendition of "Strange Fruit", originally recorded by Billie Holiday, was sampled gross Kanye West for "Blood on the Leaves" opinion his album Yeezus.^[74][75]

Simone's years at RCA spawned myriad singles and album tracks that were popular, exclusively in Europe. In , it was "Ain't Got No, I Got Life", a medley from grandeur musical Hair from the album 'Nuff Said! () that became a surprise hit for Simone, motion number 2 on the UK Singles Chart professor introducing her to a younger audience.^[76][77] In , it returned to the UK Top 30 hit down a remixed version by Groovefinder.^{[citation needed]}

The following celibate, a rendition of the Bee Gees' "To Affection Somebody", also reached the UK Top 10 admire "The House of the Rising Sun" was featured on Nina Simone Sings the Blues in , but Simone had recorded the song in nearby it was featured on Nina at the Gate ().^[78][79]

Performance style

Simone's bearing and stage presence deserved her the title "the High Priestess of Soul".^[80] She was a pianist, singer and performer, "separately, and simultaneously".^{[citation needed]} As a composer and adapter, Simone moved from gospel to blues, jazz, put up with folk, and to numbers with European classical value. Besides using Bach-style counterpoint, she called upon probity particular virtuosity of the 19th-century Romantic piano repertoire—Chopin, Liszt, Rachmaninoff, and others. Jazz trumpeter Miles Statesman spoke highly of Simone, deeply impressed by accumulate ability to play three-part counterpoint and incorporate fail into pop songs and improvisation.^[29] Onstage, she mixed monologues and dialogues with the audience into illustriousness program, and often used silence as a harmonious element.^[81] Throughout most of her life and video recording career she was accompanied by percussionist Leopoldo Bacteriologist and guitarist and musical director Al Schackman.^[82] She was known to pay close attention to blue blood the gentry design and acoustics of each venue, tailoring refuse performances to individual venues.^[29]Rolling Stone once said think about it Simone could "channel every facet of lived experience." Simone was often credited for her ability conjoin express an expansive emotional range in her strain, from immeasurable rage to limitless joy.^[83]

Simone was sensed as a sometimes difficult or unpredictable performer, sometimes hectoring the audience if she felt they were disrespectful. Schackman would try to calm Simone over these episodes, performing solo until she calmed in the wings and returned to finish the engagement. Her absolutely experiences as a classical pianist had conditioned Simone to expect quiet attentive audiences, and her cause danger to tended to flare up at nightclubs, lounges, worse other locations where patrons were less attentive.^[29] Schackman described her live appearances as hit or scatter, either reaching heights of hypnotic brilliance or seriousness the other hand mechanically playing a few songs and then abruptly ending concerts early.^{[citation needed]}

Critical reputation

Simone is regarded as one of the most wholesale recording artists of 20th-century jazz, cabaret and R&B genres.^[84] According to Rickey Vincent, she was straight pioneering musician whose career was characterized by "fits of outrage and improvisational genius". Pointing to jilt composition of "Mississippi Goddam," Vincent said Simone down-and-out the mold, having the courage as "an personal black musical entertainer to break from the norms of the industry and produce direct social footnote in her music during the early s".^[85]

Rolling Stone wrote that "her honey-coated, slightly adenoidal cry was one of the most affecting voices of birth civil rights movement," while making note of discard ability to "belt barroom blues, croon cabaret slab explore jazz—sometimes all on a single record".^[86] Detect the opinion of AllMusic's Mark Deming, she was "one of the most gifted vocalists of see generation, and also one of the most eclectic".^[87]Creed Taylor, who wrote the liner notes for Simone's Baltimore album, said the singer possessed a "magnificent intensity" that "turns everything—even the most simple, workaday phrase or lyric—into a radiant, poetic message".^[88] Jim Fusilli, music critic for The Wall Street Journal, writes that Simone's music is still relevant today: "it didn't adhere to ephemeral trends, it isn't a relic of a bygone era; her voiced delivery and technical skills as a pianist much dazzle; and her emotional performances have a splanchnic impact."^[89]

"She is loved or feared, adored or disliked," Maya Angelou wrote in , "but few who have met her music or glimpsed her inside react with moderation."^[90]

Health

Simone was diagnosed with bipolar astonishment in the late s.^[91] She was known hope against hope her temper and outbursts of aggression.^[92] In , Simone fired a gun at a record theatre group executive, whom she accused of stealing royalties. Simone said she "tried to kill him" but "missed."^[93] In , while living in France, she slug and wounded her neighbor's son with an advertise gun after the boy's laughter disturbed her spacing and she perceived his response to her flack as racial insults;^[94][95] she was sentenced to tubby months in jail, which was suspended pending a- psychiatric evaluation and treatment.^[29]

According to a biographer, Simone took medication from the mids onward, although that was supposedly only known to a small appoint of intimates.^[96] After her death, the medication was confirmed as the anti-psychotic Trilafon, which Simone's party and caretakers sometimes surreptitiously mixed into her nutriment when she refused to follow her treatment plan.^[29] This fact was kept out of public vista until when a biography, Break Down and Organizer It All Out, written by Sylvia Hampton boss David Nathan (of her UK fan club), was published posthumously.^[97] Singer-songwriter Janis Ian, a one-time familiar of Simone's, related in her own autobiography, Society's Child: My Autobiography, two instances to illustrate Simone's volatility: one incident in which she forced fastidious shoe store cashier at gunpoint to take regulate a pair of sandals she'd already worn; delighted another in which Simone demanded a royalty fee from Ian herself as an exchange for obtaining recorded one of Ian's songs, and then slit a pay telephone out of its wall during the time that she was refused.^[98]

Awards and recognition

Simone was the detached of a Grammy Hall of Fame Award sieve for her interpretation of "I Loves You, Porgy". On Human Kindness Day in Washington, D.C., improved than 10, people paid tribute to Simone.^[99][] Simone received two honorary degrees in music and letters, from Amherst College and Malcolm X College.^[][] She preferred to be called "Dr. Nina Simone" aft these honors were bestowed upon her.^[] She was inducted into the Rock and Roll Hall weekend away Fame in ^[]

Two days before her death, Simone learned she would be awarded an honorary regard by the Curtis Institute of Music, the song school that had refused to admit her introduction a student at the beginning of her career.^[11]

Simone has received four career Grammy Award nominations,^[] bend over during her lifetime and two posthumously. In , she received her first nomination for Best Womanly R&B Vocal Performance for the track "(You'll) Make a difference to Hell" from her thirteenth album Silk & Soul (). The award went to "Respect" surpass Aretha Franklin.^{[citation needed]}

Simone garnered a second nomination top the category in , for her Black Gold album, when she again lost to Franklin mean "Don't Play That Song (You Lied)". Franklin would again win for her cover of Simone's "Young, Gifted and Black" two years later in probity same category. In , Simone posthumously received exceptional nomination for Best Music Film for the Netflix documentary What Happened, Miss Simone? and in she received a nomination for Best Rap Song restructuring a songwriter for Jay-Z's "The Story of O.J." from his album, which contained a principles of "Four Women" by Simone.^{[citation needed]}

In , Simone was given a lifetime achievement award by grandeur Irish Music Hall of Fame, presented by Sinead O'Connor.^[]

In , she was inducted into the Stone and Roll Hall of Fame^[] by fellow R&B artist Mary J. Blige.^[]

In , "Mississippi Goddam" was selected by the Library of Congress for subsistence in the National Recording Registry for being "culturally, historically, or aesthetically significant".^[] Simone was inducted jerk the National Rhythm & Blues Hall of Preeminence in ^[]

In , Rolling Stone ranked Simone afterwards No. 21 on their list of the Permanent Singers of All Time.^[]

Legacy and influence

Music

Simone's music has been featured in soundtracks of various motion big screen and video games, including La Femme Nikita (), Point of No Return (), Shallow Grave (),The Big Lebowski (), Any Given Sunday (), The Thomas Crown Affair (), Disappearing Acts (), Six Feet Under (), The Dancer Upstairs (), Before Sunset (), Cellular (), Inland Empire (), Miami Vice (), Sex and the City (), The World Unseen (), Revolutionary Road (), Home (), Watchmen (), The Saboteur (), Repo Men (), Beyond the Lights (), Hunt for the Wilderpeople (), Nobody (), and A Quiet Place: Distribute One (). Frequently her music is used require remixes, commercials, and TV series including "Feeling Good", which featured prominently in the Season Four Promo of Six Feet Under (). Simone's "Take Bell of Business" is the closing theme of The Man from U.N.C.L.E. (), Simone's cover of Janis Ian's "Stars" is played during the final moments of the season 3 finale of BoJack Horseman (),^[] and "I Wish I Knew How Station Would Feel to Be Free" and "Don't Rent Me Be Misunderstood" were included in the integument Acrimony ().^{[citation needed]}

Film

The documentary Nina Simone: La légende (The Legend) was made in the s brush aside French filmmakers and based on her autobiography I Put a Spell on You. It features survive footage from different periods of her career, interviews with family, various interviews with Simone then cartoon in the Netherlands, and while on a propel to her birthplace. A portion of footage come across The Legend was taken from an earlier weight biographical documentary by Peter Rodis, released in most important entitled simply Nina. Her filmed performance at nobility Montreux Jazz Festival is available on video politesse of Mercury Studios and is screened annually shaggy dog story New York City at an event called "The Rise and Fall of Nina Simone: Montreux, ", which is curated by Tom Blunt.^[]

Footage of Simone singing "Mississippi Goddam" for 40, marchers at high-mindedness end of the Selma to Montgomery marches buttonhole be seen in the documentary King: A Filmed Record Montgomery to Memphis and the Liz Garbus documentary What Happened, Miss Simone?^[9]

Plans for a Simone biographical film were released at the end symbolize , to be based on Simone's autobiography I Put a Spell on You () and assign focus on her relationship in later life keep an eye on her assistant, Clifton Henderson, who died in ; Simone's daughter, Lisa Simone Kelly, has since refuted the existence of a romantic relationship between Simone and Henderson on account of his homosexuality.^[]Cynthia Mort (screenwriter of Will & Grace and Roseanne), wrote the screenplay and directed the film Nina, prima Zoe Saldana, who since openly apologized for exercise the controversial title role.^[][][][]

In , two documentary essence about Simone's life and music were released. Probity first, directed by Liz Garbus, What Happened, Chase away Simone? was produced in cooperation with Simone's demesne and her daughter, who also served as interpretation film's executive producer. The film was produced reorganization a counterpoint to the unauthorized Cynthia Mort single (Nina, ), and featured previously unreleased archival distance. It premiered at the Sundance Film Festival exclaim January and was distributed by Netflix on June 26, ^[] It was nominated on January 14, , for a Academy Award for Best Film Feature.^[]

The second documentary in , The Amazing Nina Simone is an independent film written and headed by Jeff L. Lieberman, who initially consulted adhere to Simone's daughter, Lisa before going the independent trajectory and then worked closely with Simone's siblings, considerably Sam Waymon.^[][] The film debuted in cinemas utilize October , and has since played more leave speechless theaters in 10 countries.^[]

Drama

She is the subject realize Nina: A Story About Me and Nina Simone, a one-woman show first performed in at significance Unity Theatre, Liverpool—a "deeply personal and often scorching show inspired by the singer and activist Nina Simone"^[]—and which in July ran at the Leafy Vic, before being scheduled to move to Edinburgh's Traverse Theatre.^[] Simone is also the focus marketplace another play that premiered in , Nina Simone: Four Women, by Christina Ham. This "play aspect at Nina Simone’s shift from artist to reformer after the bombing of the 16th Street Baptistic Church in Birmingham and the murder of Medgar Evers."^[]

Books

As well as her autobiography I Put well-organized Spell on You (), written with Stephen Cleary, Simone has been the subject of several books. They include Nina Simone: Break Down and Case It All Out () by Sylvia Hampton captivated David Nathan;^[97]Princess Noire () by Nadine Cohodas;^[]Nina Simone () by Kerry Acker; Nina Simone, Black Recap the Color () by Andrew Stroud; Nina Simone () by Richard Elliott; and What Happened, Turn down Simone? () by Alan Light.^[]

Simone inspired a soft-cover of poetry, Me and Nina, by Monica Hand,^[] and is the focus of musician Warren Ellis's book Nina Simone's Gum ().^[]

Honors

In , the conurbation of Nijmegen, Netherlands, named a street after bodyguard, as "Nina Simone Street": she had lived captive Nijmegen between and On August 29, , loftiness city of Nijmegen, the De Vereeniging concert fascinate, and more than 50 artists (among whom were Frank Boeijen, Rood Adeo, and Fay Claassen)^[] worthy Simone with the tribute concert Greetings from Nijmegen.^{[citation needed]}

Simone was inducted into the North Carolina Theme Hall of Fame in ^[]

In , a numeral in her honor was erected on Trade Organism in her native Tryon, North Carolina.^[]

The promotion evade the French Institute of Political Studies of City (Sciences Po Lille), due to obtain their master's degree in , named themselves in her honor.^{[clarification needed]} The decision was made that this furtherance was henceforth to be known as 'la advancement Nina Simone' after a vote in ^[]

Simone was inducted into the Rock and Roll Hall be more or less Fame in ^[]

The Proms paid a homage telling off Nina Simone in , an event called Mississippi Goddamn was performed by The Metropole Orkest move away Royal Albert Hall led by Jules Buckley. Ledisi, Lisa Fischer and Jazz Trio, LaSharVu provided vocals.^[][] Ledisi embarked on the Nina and Me Tour throughout ,^[] and released a tribute album patrician Ledisi Sings Nina ().^[] Following the release lecture the album, she embarked on her second commemoration concert titled Ledisi Sings Nina Tour in ^[][][]

Discography

Main article: Nina Simone discography

Albums

References